Music and Modernity in China, Japan, and Korea|
This course examines the relationships between music and modernity in China, Japan, and Korea and the interactions between the impact of Western music and nationalism and contemporary cultural identities. In particular, it explores the historical significance of the Meiji restoration on Japanese music tradition; the Japanese influence on Chinese school songs; the origins of contemporary music in China, Japan, and Korea; the adaptation and preservation of traditional music genres; and the rise of popular music and the music industry. We will focus on the cultural conflicts encountered by East Asian musicians and composers and their musical explorations and experiments in searching for national and individual identities in the processes of nation-building and modernization. The course aims to provide knowledge on East Asian music genres, insight on the issues of global/local cultural contacts, and a better understanding of music's central role in political and social movements in 20th-century East Asia.
Students will learn musics of other countries and the changes through history.
||Gen Ed Area Dept:
|Course Format: Lecture / Discussion||Grading Mode: Graded|
||Fulfills a Major Requirement for: (CEAS-MN)(CEAS-Music)(MUSC)
||Past Enrollment Probability: Not Available
|Major Readings: Wesleyan RJ Julia Bookstore
To be announced.
|Examination and Assignments: |
2-3 short papers, longer final paper
|Instructor(s): Zheng,Su Times: ..T.R.. 01:10PM-02:30PM; Location: MST301; |
|Total Enrollment Limit: 24||SR major: 4||JR major: 4|| || |
|Seats Available: 7||GRAD: X||SR non-major: 4||JR non-major: 4||SO: 4||FR: 4|