Special Topics in Theater History, Theory, and Aesthetics|
By examining key moments in theater history from the late 19th century to the recent past, the course explores the active relationship between theoretical thought and aesthetic innovation on stage. We reconstruct these moments by relying on a variety of documents and media, including but not limited to: theater on film, play texts, documentaries, scholarly articles, manifestos, and reviews. The course highlights the ways in which such ground-breaking works represent dynamic, diverse, and cumulative ruptures with the mainstream, and ultimately shape how we see and create theater today.
Intercultural Literacy, Interpretation
||Gen Ed Area Dept:
|Course Format: Lecture / Discussion||Grading Mode: Graded|
||Prerequisites: THEA105 OR THEA150 OR THEA245 OR [THEA199 or ENGL199] OR THEA185 OR THEA170 OR THEA140 OR [THEA214 or COL215 or REES279 or RUSS279 or RULE279]
||Fulfills a Major Requirement for: (THEA)
||Past Enrollment Probability: Not Available
|Major Readings: (If discrepancies exist between major readings in Wesmaps and the results generated by the Text Book Information link, defer to the readings posted in Broad Street Books.)|
Text Book Information
Selected plays will include, but not be limited to, the works of Henrick Ibsen, August Strindberg, Arthur Miller, Luis Valdez, Lorraine Hansberry, Robert O'Hara, Ama Ata Aidoo, and Ina Cesaire.
|Examination and Assignments: |
Mid-term, final exam
|Additional Requirements and/or Comments: |
THEA203 and THEA204 are required courses for theater majors.
|Instructor(s): Nascimento,Claudia Tatinge Times: ..T.... 02:40PM-05:30PM; Location: CFAHALL; |
|Total Enrollment Limit: 15||SR major: 0||JR major: 0|| || |
|Seats Available: -11||GRAD: X||SR non-major: X||JR non-major: X||SO: 15||FR: 0|