Improvisation in Cross-Cultural Perspective|
This course will explore musical improvisation around the world from a variety of theoretical and practical perspectives. Readings on theories of improvisational processes, as well as on specific musical traditions in the United States, India, Indonesia, Africa, and elsewhere, will combine with practical transcription and analysis projects.
||Gen Ed Area Dept:
|Course Format: Seminar||Grading Mode: Graded|
||Fulfills a Major Requirement for: None
||Past Enrollment Probability: Not Available
|Major Readings: (If discrepancies exist between major readings in Wesmaps and the results generated by the Text Book Information link, defer to the readings posted in Broad Street Books.)|
Text Book Information
Bruno Nettl, IN THE COURSE OF PERFORMANCE
Bruno Nettl, "THOUGHTS OF IMPROVISATION"
Paul Berliner, THINKING IN JAZZ
Harold Powers, "MODE"
Levy, GREGORIAN CHANT
Lord, SINGER OF TALES
Ruckert, MUSIC IN NORTH INDIA
Viswanathan and Allen, MUSIC IN SOUTH INDIA
Yung, CELESTIAL AIRS
Various other articles
|Examination and Assignments: |
Final research paper. Weekly writing assignments.
|Additional Requirements and/or Comments: |
Graduate seminar; undergraduates by exception and permission.
|Instructor(s): Charry,Eric S. Times: .....F. 09:00AM-12:00PM; Location: MST301; |
|Total Enrollment Limit: 12||SR major: 0||JR major: 0|| || |
|Seats Available: 6||GRAD: 12||SR non-major: 0||JR non-major: 0||SO: 0||FR: 0|