Introduction to European Avant-Garde, 1880--1940|
Fall 2018 not offered
FIST 241, GRST 241, COL 230|
This course will introduce students to the major avant-garde art movements from the first half of the 20th century as they took root in France, Germany, Italy, Holland, and Russia. Our focus will be on painting, but we will also look at attempts to go beyond painting in an attempt to gain greater immediacy or social relevance for art. Topics that will receive special emphasis include the relationship between abstraction and figuration, the impact of primitivism and contact with non-Western arts, modernism's relationship to mass culture, war and revolution, gender and representation, art and dictatorship, and the utopian impulse to have the arts redesign society as a whole.
||Gen Ed Area Dept:
|Course Format: Lecture / Discussion||Grading Mode: Graded|
||Fulfills a Major Requirement for: (ARHA-MN)(ARHA)(ARHA-Asian/Isla)(ARHA-Eur/Am/Afr)(ARST)(COL)(FRST-MN)(FRST)(GRST-MN)(GRST)(RMST)
Hal Foster, Rosalind Krauss, Yve-Alain Bois, Benjamin H.D. Buchloh, ART SINCE 1900: MODERNISM, ANTIMODERNISM, POSTMODERNISM, VOL. 1: 1900-1944. Thames and Hudson, 2005. ISBN-10: 0500285357 ISBN-13: 978-0500285350
Herschel Chipp, THEORIES OF MODERN ART. University of California Press, 1984. ISBN-10: 0520052560 ISBN-13: 978-0520052567
Articles and book chapters made available via ereserve
|Examination and Assignments: |
3-page paper, 8-page paper, peer critique, mid term and final exams, in-class participation
|Additional Requirements and/or Comments: |
Instructor uses the enrollment request system and does not respond to emails prior to the beginning of class.
Students who do not attend the first day of class will be dropped from the enrollment list.