ALIT202 | Japanese Horror Fiction and Film |
ALIT204 | Popular Culture in Late Imperial and Modern China |
ALIT207 | Japanese Women Writers: Modern and Contemporary Periods |
ALIT208 | City in Modern Chinese Literature and Film |
ALIT210 | From Tea to Connecticut Rolls: Defining Japanese Culture Through Food |
ALIT211 | The Chinese Canon and Its Afterlife |
ALIT212 | Gender Issues in Chinese Literature and Culture |
ALIT220 | Stereotyped Japan: A Critical Investigation of Geisha Girls and Samurai Spirit |
ALIT226 | Memory and Identity in Contemporary Chinese Fiction and Film |
ALIT230 | Japanese Detective Fiction and Narrative Theory |
ALIT257 | Nation, Class, and the Body in 20th-Century Chinese Literature and Film |
ARHA291 | Duty, Power, Pleasure, Release: Key Themes in Classical Indian Thought |
CCIV112 | Three Great Myths: Prometheus, Persephone, and Dionysus |
CCIV117 | Eros the Bittersweet: Love and Desire in Classical Antiquity |
CCIV120 | In a Manner of Speaking: An Introduction to Classical Rhetoric |
CCIV122 | Alexander the Great: History and Legend |
CCIV150 | Ancient Rome: From Hut Village to Imperial Capital |
CCIV153 | Single Combat in the Ancient World |
CCIV202 | Greek Drama |
CCIV231 | Greek History |
CCIV245 | Archaeology of Greek Cult |
CCIV271 | Roman Self-Fashioning: Poets and Philosophers, Lovers and Friends |
CCIV275 | Romans and Christians: The World of Late Antiquity |
CCIV328 | Roman Urban Life |
CCIV329 | Roman Villa Life |
COL105 | Double Visions: Rewriting, Repainting, and Refilming the Classics |
COL107 | Laughter and Politics |
COL109 | A History of Civil Disobedience |
COL112 | The European Novel from Cervantes to Calvino |
COL130 | Thinking Animals: An Introduction to Animal Studies |
COL207 | Outsiders in European Literature |
COL216 | Writing Long Fiction |
COL223 | All the World's a Stage: Theater and Society in the Age of Shakespeare and Calderón |
COL232 | Death and the Limits of Representation |
COL238 | Animal Theories/Human Fictions |
COL239 | Paris, 19th Century |
COL249 | Narrative and Ideology |
COL255 | Tragedy |
COL269 | French Feminisms: Texts, Pretexts, and Contexts |
COL295 | The Athenian Enlightenment: The Birth of Philosophy in 5th-Century Athens |
ENGL132 | Writing Medicine and the Doctor-Writer |
ENGL234 | Scripts and Shows: Modern Drama as Literature and Performance |
ENGL242 | Literary Theory I: Plato to Pope |
ENGL243 | Caribbean Literature |
ENGL269 | Aesthetics and/or Ideology |
ENGL276 | Space and Place in Fiction |
ENGL303 | Narrative Theory |
ENGL327 | The Prose Poem and the Politics of Genre |
ENGL351 | Jews and Christians in Medieval England: Debate, Dialogue, and Destruction |
ENGL353 | Medieval Ethnicities and Ethnographies |
ENGL358 | Special Topics: The Representation of Work in Fiction |
ENGL366 | Medieval Disability Studies |
FIST276 | Days and Knights of the Round Table |
GRST251 | Kafka: Literature, Law, and Power |
GRST252 | From Caligari to Hitler? Weimar Cinema in Context |
GRST273 | Sex and Text in Freud's Vienna |
GRST292 | Ghostly Doubles: Romantic Storytelling and Early German Film |
RUSS205 | The 19th-Century Russian Novel |
RUSS207 | Russia's Art of Empire, 18th-21st Centuries |
RUSS222 | Doubles in Literature |
RUSS232 | The Real McCoy: Constructing Identity |
RUSS240 | Reading Stories |
RUSS252 | Tolstoy |
RUSS255 | The Central and East European Novel |
RUSS258 | Russia's Storyteller Playwrights |
RUSS265 | Kino: Russia at the Movies |
RUSS279 | Theater of Anton Chekhov: Research, Analysis, and Performance |